The Middle Part - a subway ride
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An Invitation Out by Shualee Cook

April 17 - May 3, 2015

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(Deanna reports on FALLING in NYC)

This first week of rehearsals has been amazing and emotional. I spent time sharing with the cast and staff some videos of young Andy, working so hard to learn how to communicate. They read the play and asked thoughtful questions. We had honest conversations about the challenges of love, faith, family, art. Now they’re on the journey of discovering these characters in action.

Our apartment is within walking distance from the theatre, which is great. Everything we need (and much that we don’t!) is within a few blocks radius. On Thursday, however, I had to attend several meetings in mid-town (see how I speak “New York” now?), so I did my first solo subway rides. Mostly success – I always got on the right train, but once went the wrong direction. (Sounds like a description of the artistic process – we’re always on the right train, we just have to switch directions sometimes!)

Perhaps I’ll soon become blasé about the variety of people you encounter on a subway – but not this week. I’m pretty sure I heard at least 8 distinct languages in just those four rides. The teenaged girl in a formal prom gown sits next to the construction worker carrying his dusty helmet and metal coffee thermos. They don’t speak to each other, but I like to imagine conversations, little plays.

We’re moving into the middle part of the process, where daily 6-hour rehearsals rub some of the “shiny” off the experience. Even though Lori (the director) and I have both done this play before – this is a new show, and we all still need to do the same hard work as before. The actors are asking smart questions about certain lines, working to understand actions. They’re discovering what this production will be, and in doing so, are helping me see the story even more clearly.

We’re on the subway. We’ve left our starting point, and are headed for our destination: September 27 preview performances. I’m looking forward to the unique journey!

Mustardseed Blog

That Question, and This Answer

by Shualee Cook

As the first production of An Invitation Out creeps closer and

closer, one question has been making frequent appearances in the

many conversations where I can’t shut up about my play - “So how’d

you come up with the idea for this?” And I usually answer with

something short and tag line-ish to avoid going into the longwinded,

embarrassing truth that the origins of this show extend

all the way back my gawky teenage years in the quiet mountain town

of Paradise, California (yes, the name is mostly ironic). One of

the first leading roles I ever got in my high school drama

department was in Oscar Wilde’s The Importance of Being Earnest.

And yes, it’s one of those plays that gets performed so often (and

usually rather badly) that many theatre folk roll their eyes at

the very mention of it. But coming to it fresh was electrifying. I

was immediately intoxicated by the language, the wit, the plot’s

effortless combination of intelligence and utter silliness. The

style of it very quickly clamped onto my fancy, and never let go.

My high school drama program was pretty amazing, looking back, and

in my freshman and sophomore years, I’d already been exposed to

Shakespeare, Tom Stoppard, and Jean Giraudoux. Wilde was the

fourth and final nail in the “maybe I want to be a playwright”

coffin, and I was done. The year that I performed in Earnest was

also the year that I wrote my first play.

 

Flash forward more years than I’m comfortable admitting to, and we

arrive at the heyday of Facebook and Twitter. As countless posts

skittered across my computer screen, I started to notice a trend -

a sizable number of the things getting “liked” or shared around

were quick, two or three sentence attempts at humor or cleverness,

a form that Oscar Wilde made his public reputation from. “Always

forgive your enemies; nothing annoys them so much” “Fashion is a

form of ugliness so intolerable that we have to alter it every six

months.” “The world was my oyster, but I used the wrong fork.”

Seriously, Oscar Wilde would have OWNED Twitter. 21st century

social media had found a new stage for the witty epigram, had in

fact turned the internet into one gigantic Victorian dinner party

with everyone rushing to come up with the best zinger of the

night. All of the sudden, the archaic 19th century drawing room

comedies I’d been obsessed with since high school felt more

immediate than ever, and seemed a natural form to use to explore

an online world of clever dandyism gone mad. The idea was a simple

one: I would write a Wildean drawing room comedy, but in a chat

room instead. From there, the story gushed out very quickly, a

look at the future inspired by the past that would hopefully shed

some light on the present. So there you have it, how I came up

with this. And now, if we happen to bump into each other, you’ll

already know the answer to your question, and won’t be subjected

to me rambling on about high school theatre productions and longdead

playwrights, and we can share a perfectly lovely sigh of

relief.

 
 

 

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