Written by CS Lewis adapted by Deanna Jent
Directed by Deanna Jent
April 15 – May 1, 2011
Awards/nominations:
Kevin Kline Nomination: Outstanding New Play
Times:
Thursday – Saturday 8:00 PM
Sunday 2:00 PM
Ticket Prices:
General $25.00
Student/Senior: $20.00
Short Description:
A powerful Queen must surrender to invisible forces to rescue her sister and discover the secret of true beauty. Adapted from the novel by C.S. Lewis.
Cast and Crew list
Priestess: Jill Ritter
Queen Orual: Michelle Hand
Young Orual: Sarah Cannon
Redival: Bess Moynihan
Batta: Jean Lang
Bardia: Shaun Sheley*
King: Robert Mitchell
Fox: Gary Glasgow*°
Priest of Ungit: Richard Lewis
Psyche: Rory Lipede
Lady Ansit: Leslie Wobbe°
Servant/Trunia: Justin Leibrecht
Soldier/Argan: Phillip Bettison°
Director: Deanna Jent
Assistant Director: Kelly
Nava Stage Manager: Lorraine LiCavoli*
Asst. Stage Managers: Patricia Duffin, Angela Doerr
Set Design: Dunsi Dai
Set Design Assistant: Colt Frank
Light Design: Michael Sullivan¡
Costume Design: Donna Northcott
Sound Design: Deanna Jent, Kareem Deanes¡
Production Manager: Bess Moynihan
Shop Supervisor: Jon Hisaw
Light Board Operator: Josie Zeugin
Sound Board Operator: Zoe Sullivan
Stage Crew: Adrienne Curry, Jessica Haley
Wardrobe: Nikki Lott
Managing Director: Carmen Russell¡
Education/Outreach/Box Office: Emily Immer
Public Relations: Leslie Wobbe¡
Publications Intern: Liz Richter
Program Artwork: Adrienne Curry
Director's Note
The Adaptation of a Novel
Deanna Jent is a Professor of Theatre at Fontbonne University and the Artistic Director of Mustard Seed Theatre. She received her Bachelor of Fine Arts degree in Theatre from Illinois Wesleyan University and her Ph.D. in Theatre from Northwestern University, where she studied with Tony Award-winning adapter and director Frank Galati (The Grapes of Wrath). Deanna was classmates with Mary Zimmerman (who won a Tony in 2002 for directing her adaptation of Metamorphosis).
Deanna first encountered the novel Till We Have Faces at Northwestern, where she was taking a class called “Archetypal and Psychological Approaches to Literature.” She loved how Lewis wove together Greek myth and Christian allegory, and began thinking about adapting the novel for the stage. In 2007 she sought the rights for the adaptation, and began a series of dialogues with Douglas Gresham, the holder of the rights to all of Lewis’s work (and his step-son ). After two years of working with Gresham (revising drafts, discussing characters), Deanna was granted permission to stage her adaptation here at Mustard Seed Theatre.
Deanna’s previous writing for and about the theatre includes a stage adaptation of Pride and Prejudice which was first produced by ACT Inc. in 2003 and has had several productions since then. She was a theatre critic for the Riverfront Times from 2003-2006 and the editor of Christianity and Theatre magazine from 2000-2003. In the fall of 2011, she will debut as a playwright with the Mustard Seed Theatre production of her play Falling: a story about family, autism, marbles and jelly.
Deanna lives in Webster Groves with her husband Steve (celebrating 30 years of marriage this June), her children Christopher, Lindzey and Andy, and their dogs Sadie and Rufus.
Production Photos
In the Media
Till We Have Faces: Brodwayworld Review
Till We Have Faces: Joe Pollack Review
Till We Have Faces: Ladue News Review
Till We Have Faces: Riverfront Times Review
Till We Have Faces: St Louis Magazine Review
Till We Have Faces: St Louis Theatre Snob Review
Till We Have Faces: StL Today Review
Till We Have Faces: Press Release
Program
Till We Have Faces: Show Program







