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  • Auditions (All is Calm)

An Invitation Out by Shualee Cook

April 17 - May 3, 2015

General Admission $30.00
Students/Seniors(65+) $25.00

Thursdays - Saturdays at 8:00 PM
Sundays at 2:00 PM

Group rates available!



OPEN AUDITIONS for male singer/actors (age range 20's - 40's)

"All is Calm: The Christmas Truce of 1914" an a capella musical

Saturday, March 12th from 12:30 - 3:30 PM 
Callbacks: same day at 4:00 PM

Fontbonne University Black Box Theatre
Call 314-719-8060 to schedule an appointment.

For auditions, please sing (a capella) up to 32 bars of a traditional holiday song that best features your voice, and present a one-minute contemporary monologue (British, Irish, Scottish or German dialect is a plus.)     

Rehearsals will begin on November 9, 2015.  
Production dates are November 27 - December 20th, 2015  with shows Wednesdays at 10 a.m. and 8 pm, Thursdays-Saturdays at 8 pm and Sundays at 2 and 5 pm.
The actor stipend is $150/week for rehearsal & performance weeks.  AEA actors will be hired on a special appearance agreement.

Actors who have previously worked with Mustard Seed Theatre may attend callbacks by request to This email address is being protected from spambots. You need JavaScript enabled to view it..

Casting authorities are musical director Joe Schoen and director Deanna Jent.

All is Calm: The Christmas Truce of 1914 tells the story of how men on opposing sides of WWI put down their weapons on Christmas Eve and shared song, stories and food.  The musical is written for 9 acapella male voices.  See an excerpt from MST's 2014 production here.


Mustardseed Blog

That Question, and This Answer


by Shualee Cook

As the first production of An Invitation Out creeps closer and

closer, one question has been making frequent appearances in the

many conversations where I can’t shut up about my play - “So how’d

you come up with the idea for this?” And I usually answer with

something short and tag line-ish to avoid going into the longwinded,

embarrassing truth that the origins of this show extend

all the way back my gawky teenage years in the quiet mountain town

of Paradise, California (yes, the name is mostly ironic). One of

the first leading roles I ever got in my high school drama

department was in Oscar Wilde’s The Importance of Being Earnest.

And yes, it’s one of those plays that gets performed so often (and

usually rather badly) that many theatre folk roll their eyes at

the very mention of it. But coming to it fresh was electrifying. I

was immediately intoxicated by the language, the wit, the plot’s

effortless combination of intelligence and utter silliness. The

style of it very quickly clamped onto my fancy, and never let go.

My high school drama program was pretty amazing, looking back, and

in my freshman and sophomore years, I’d already been exposed to

Shakespeare, Tom Stoppard, and Jean Giraudoux. Wilde was the

fourth and final nail in the “maybe I want to be a playwright”

coffin, and I was done. The year that I performed in Earnest was

also the year that I wrote my first play.


Flash forward more years than I’m comfortable admitting to, and we

arrive at the heyday of Facebook and Twitter. As countless posts

skittered across my computer screen, I started to notice a trend -

a sizable number of the things getting “liked” or shared around

were quick, two or three sentence attempts at humor or cleverness,

a form that Oscar Wilde made his public reputation from. “Always

forgive your enemies; nothing annoys them so much” “Fashion is a

form of ugliness so intolerable that we have to alter it every six

months.” “The world was my oyster, but I used the wrong fork.”

Seriously, Oscar Wilde would have OWNED Twitter. 21st century

social media had found a new stage for the witty epigram, had in

fact turned the internet into one gigantic Victorian dinner party

with everyone rushing to come up with the best zinger of the

night. All of the sudden, the archaic 19th century drawing room

comedies I’d been obsessed with since high school felt more

immediate than ever, and seemed a natural form to use to explore

an online world of clever dandyism gone mad. The idea was a simple

one: I would write a Wildean drawing room comedy, but in a chat

room instead. From there, the story gushed out very quickly, a

look at the future inspired by the past that would hopefully shed

some light on the present. So there you have it, how I came up

with this. And now, if we happen to bump into each other, you’ll

already know the answer to your question, and won’t be subjected

to me rambling on about high school theatre productions and longdead

playwrights, and we can share a perfectly lovely sigh of




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